A Minimal Sax

In this video

A Minimal Sax is a journey through the analogies, differences, and evolution of languages of minimalist music, one of the most important artistic movements of the last century. These works show its many sides: from the purism of New York Counterpoint by Steve Reich to the mood swings of the Saxophone Quartet by Philip Glass, from the melody entwined with rhythm of String Quartet No.2 by Michael Nyman to the rhythmic patterns echoing pop music found in July by Michael Torke.
The tonal, rhythmic, and expressive possibilities of the saxophone quartet connect these related yet diverse compositions: a fascinating listening experience!
The Freem Saxophone Quartet was founded in 2017, it quickly established itself as one of the most adventurous present day ensembles, playing at new music festivals and commissioning new works by contemporary composers.
The booklet contains excellent liner notes in both English and Italian.

Composers: Michael Nyman, Michael Torke, Philip Glass, Steve Reich
Artists: Freem Saxophone Quartet

‘A Minimal Sax’ takes a journey through the last 30 years of minimalist music, one of the most influential artistic movements of the last century. An accomplished young Italian ensemble takes us from the purism of ‘New York Counterpoint’ by Steve Reich through the soulful strains of the Saxophone Quartet by Philip Glass, to the funky rhythms of Michael Torke’s ‘July’ and the catchy offbeats of Michael Nyman’s Second String Quartet, in a version for saxophones which here receives its world premiere recording.

Back in 1968 it was Nyman who coined the term Minimalism, in an article for ‘The Spectator’, to describe music by composers such as Cornelius Cardew that could be relied upon for its effect in clearing a listener’s mind. ‘Simple idea, straightforward structure, intellectual control, theatrical presence and intensity in presentation’: these were the other criteria he applied to music or at any rate musical events masterminded by Nam June Paik and the ‘Naked Cellist’, Charlotte Moorman.

By that point, Reich and Glass had already been writing influential pieces such as It’s gonna rain which shared the qualities listed by Nyman. Their works for saxophone date from later in their careers, once Minimalism had been established as an unstoppable cultural force that had brought millions of young listeners into concert halls. They were attracted by the hypnotic repetitions that are a trademark of these pieces, particularly suited to the medium of saxophone quartet, but even more to the rhythmic rigour and fresh yet recognisable harmonies shared by all four works here.

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Steve Reich: New York Counterpoint:
00:00 I. —
05:02 II. —
07:45 III. —
Philip Glass: Saxophone Quartet:
11:17 I. —
17:16 II. —
23:02 III. —
30:49 IV. —
Michael Nyman: String Quartet No. 2:
34:33 I. Arr. David Roach
37:47 II. Arr. Freem Saxophone Quartet
42:45 III. Arr. David Roach
46:56 IV. Arr. David Roach
49:59 V. Arr. Freem Saxophone Quartet
53:50 VI. Arr. Freem Saxophone Quartet
56:41 Michael Torke: July

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