Der Makabere Zirkus

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Marcelo Nisinman is one of the most remarkable bandeonists of today. He created a post-Piazzolla Buenos Aires tango style, completely personalized, fusing elements of traditional tango, the inevitable inspiration from Piazzolla and the current modernist (jazz) styles.

Composer: Johann Sebastian Bach, Marcelo Nisinman, Vincente Greco
Artists: Marcelo Nisinman (bandoneón), Alberto Mesirca (electric guitar & guitar), Winfried Holzenkamp (double bass & ukulele)

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Argentinian bandoneonist, composer and arranger Marcelo Nisinman is one of the most remarkable musicians active in the field of post-Piazzolla Buenos Aires tango. Without adhering too closely to Piazzolla or falling in with the vintage trappings of revivalist tango, Nisinman has forged his own personal, compelling path, in a direction that challenges tradition, embraces modernism, and establishes an intelligent link between Argentinian tango and a particularly European form of the genre, a reflection of the duality of Nisinman’s roots and the cultural sphere of his adopted home.

The Baroque era is represented on this album, in fact, in two non-tango arrangements: Bach’s Adagio and 17th-century organist–composer Dietrich Buxtehude’s Prelude in D. While respecting the original contrapuntal wealth of these pieces, Nisinman takes them into very different tonal territory. A formidable and innovative composer in the genre, his relationship with the tango tradition is mediated by an acute sense of the contemporary, as is evidenced by the three originals on the album. But Nisinman’s approach to arranging is aptly defined by the German term Bearbeitung, implying recomposition and reinvention of the various musical parameters involved. His own compositions and those of the two giants of the Baroque stand in evocative relief against forward-thinking arrangements of tango standards, with recognisable elements displaced, slowed, and restarted in new zones on the palette of instrumental colour. The bandoneoìn alternates between legato and staccato, its variety of touch and intensity representing the coexistence – peaceful or otherwise – of the sacred and profane within the tango idiom.


00:00 Marcelo Nisinman: Der makabere Zirkus
03:46 Johann Sebastian Bach: Adagio in C Major, BWV 564
08:32 Gerardo Matos Rodriguez: La cumparsita
11:43 Vincente Greco: Ojos negros
15:38 Marcelo Nisinman: Humans & Insects
19:52 Dietrich Buxtehude: Prelude and Fugue in D Major, BuxWV. 139
25:58 Enrique Delfino: Griseta
30:11 Jose Pascual: Arrabal
34:26 Juan Carlos Cobian: Los mareados
38:56 Marcelo Nisinman: Alberto’s Tango

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