J.S. Bach: The Church Cantatas, Vol 24: Jauchzet Gott in allen Landen, BWV 51

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Bach composed Cantata 51 ‘Jauchzet Gott in allen Landen’ for the 15th Sunday after Trinity, probably in 1730. Since the text hardly alludes to the readings for this specific Sunday, Bach wrote ‘per ogni tempo’ on the parts – for any moment in the church year. It is a solo cantata, i.e. for just one solo singer, and even a four-part chorale for the choir is absent. In this work Bach made extreme demands on the solo soprano. The part is larded with virtuosic coloraturas and goes right up to top C. The soprano has a virtuosic partner in the form of the solo trumpet and sometimes the first violin. This solo character is particularly convincing in the jubilant opening movement, which despite the name ‘aria’ resembles a fast movement from an instrumental concerto. The soprano and trumpet are countered systematically in shorter and longer passages by the accompanying orchestra. The recitative No.2, accompanied by the strings, moves straight into an arioso (Andante) overflowing with coloraturas. An aria (No.3) with considerable triplet movement is followed by a chorale with the melody in the soprano. In the final movement (Alleluja) the main roles are again reserved for the soprano and trumpet.

Composer: Johann Sebastian Bach
Artists: Netherlands Bach Collegium, Pieter Jan Leusink (conductor) & Ruth Holton (Soprano)

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Jauchzet Gott in allen Landen, BWV 51:
00:00 I. Aria. Jauchzet Gott in allen Landen (Soprano)
04:26 II. Recitativo. Wir beten zu dem Tempel an (Soprano)
06:50 III. Aria. Höchster, mache deine Güte (Soprano)
11:53 IV. Choral. Sei Lob und Preis mit Ehren (Soprano)
15:44 V. Aria. Alleluja (Soprano)

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