From the Llibre Vermell de Montserrat, the three-part canon O Virgo Splendens, performed on recorders by Saskia Coolen, Andrew Levy and Hanneke van Proosdij. 4K, ultra high definition video for our free, worldwide online library.
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From the Wikipedia:
The Llibre Vermell de Montserrat… (“Red Book of Montserrat”) is a manuscript collection of devotional texts containing, amongst others, some late medieval songs. The 14th-century manuscript was compiled in and is still located at the monastery of Montserrat outside Barcelona in Catalonia (Spain).
The manuscript was prepared in approximately 1399. It originally contained 172 double pages, of which 32 have been lost. Six folios contain music. The title “The Red Book of Montserrat” describes the red binding in which the collection was placed in the 19th century. No composer is identified for any of the songs it contains.
The monastery holds the shrine of the Virgin of Montserrat, which was a major site of pilgrimage during the time it was compiled.
The purpose of the compilation is made clear by its anonymous compiler himself:
Quia interdum peregrini quando vigilant in ecclesia Beate Marie de Monte Serrato volunt cantare et trepudiare, et etiam in platea de die, et ibi non debeant nisi honestas ac devotas cantilenas cantare, idcirco superius et inferius alique sunt scripte. Et de hoc uti debent honeste et parce, ne perturbent perseverantes in orationibus et devotis contemplationibus.
“Because the pilgrims wish to sing and dance while they keep their watch at night in the church of the Blessed Mary of Montserrat, and also in the light of day; and in the church no songs should be sung unless they are chaste and pious, for that reason these songs that appear here have been written. And these should be used modestly, and take care that no one who keeps watch in prayer and contemplation is disturbed.”
The songs, therefore, were written for the pilgrims to have something appropriately “chaste and pious” to sing and dance to (round-dance). The songs are in Catalan, in Occitan and in Latin. While the collection was written near the end of the 14th century, much of the music in the collection appears from its style to originate earlier; the motet Imperayritz de la ciutat joyosa contains two different texts that can be sung simultaneously, a style that would have been old-fashioned when the manuscript was compiled.
The songs have many of the characteristics of folk songs as well as hymns. Some are monophonic, while others are set in two to four parts of usually non-imitative polyphony. The monodic songs can be sung as two- or threefold canons. The relative simplicity, the dance rhythm, and the strong melodies of the songs have given the music collected in the Red Book a lasting appeal, and these songs are some of the most frequently recorded pieces of early music.