- Nhạc cổ điển (Classical)
- Pergolesi Stabat Mater: Quae moerebat et dolebat; Meg Bragle with Voices of Music
Pergolesi Stabat Mater: Quae moerebat et dolebat; Meg Bragle with Voices of Music
In this video
The “Quae morebat” from the Pergolesi Stabat Mater; Meg Bragle, soloist. Live, high-definition video by the San Francisco Early Music ensemble Voices of Music.
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Q. Where can we hear you play in concert?
A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/
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Q. What is Early Music performance, or historical performance?
A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound.
Q. Why are there no conductors?
A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both 🙂
Q. What are period instruments or original instruments; how are they different from modern instruments?
A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.
Q. Why is the pitch lower, or higher?
A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC
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The musicians and their instruments
Elizabeth Blumenstock, baroque violin by Andrea Guarneri, Cremona, 1660
Lisa Grodin, baroque violin by Paulo Antonio Testore, Larga di Milano, Italy, 1736
baroque viola by Mathias Eberl, Salzburg, Austria, 1680
Katherine Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791
Maxine Nemerovski, baroque violin by Timothy Johnson, Indiana, 1999 (after Stradivarius)
Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560
Sara Usher, baroque violin by Desiderio Quercetani, Parma, Italy, 2001
William Skeen, five string baroque cello, Anonymous, Italy, c1680
David Tayler, archlute by Andreas von Holst, Munich, 2011, after 18th c. originals
Hanneke van Proosdij, baroque organ by Winold van der Putten, Finsterwolde,
Netherlands, 2004, after early 18th-century northern German instruments