Rebay: Flute and guitar sonatas

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Composer: Ferdinand Rebay
Artists: María José Belotto (flute), Gonzalo Noqué (guitar)

An instrument that is almost entirely absent from the output of the great pre-twentieth-century composers, the guitar has long been viewed as a means to discovering new repertoire and neglected composers. One such example is Ferdinand Rebay, whose works (which have only recently come to light) present a unique case in bridging the central-European gap. This release is dedicated to his two Sonatas for Flute and Guitar.

Rebay believed that the blending of wind and guitar timbres produced a far more attractive sound than that of winds and piano, and the two sonatas – written in 1942 – date from an immensely productive period as regards the composer’s chamber duo output for guitar. Heavy in dialogue, they reveal a technique deeply rooted in Viennese tradition; from the Neoclassical style of the First, whose Scherzo exudes Beethovenian inspiration, to the stirringly Romance feel of the Second, with its broad phrasing and intensely lyrical passagework, these are two strikingly different works of character that together illuminate a fascinating area of past-century music-making.

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