Tansman: Complete Music for Solo Guitar

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Composer: Alexandre Tansman
Artists: Cristiano Poli Cappelli

Polish born and educated, Alexandre Tansman (1897-1986) was essentially a French com-poser, whose move to Paris in 1920 was the making of him. He won the admiration and friendship of both Ravel and Stravinsky, and took a central place in the exhilarating cul-tural life of the city’s Roaring Twenties, even if his guitar music bears little trace of ‘Jazz Age’ experimentation. The guiding force behind Tansman’s writing for the instrument lies, instead, in the person of Andres Segovía, catalyst and Svengali for so many composers in the first half of the 20th century.

The wandering harmonies of the Inventions and duet Sonatina may betray the influence of Ravel and Scriabin, with their echoes of French neoclassicism. The four Mazurkas, Suite in modo polonico and Hommage à Chopin, however speak clearly of Tansman’s deep love for his native Poland; a love infused with nostalgia and imbued with a tender melancholy. The Spanish dance-music from which Segovía drew his own distinctive aesthetic identity is reflected in Tansman’s transformations of vernacular French and Spanish melodies and rhythms in the Pièces Brèves and the Suite, which concludes with a movement simply ti-tled Segovia. However, Segovía made significant editorial interventions in Tansman’s scores, and Cristiano Poli Cappelli has returned to the composer’s original ordering and markings in works such as the portmanteau, six-movement Suite.


00:00:00 Ballade
00:08:30: I. Preludio
00:11:38 Cavatina: II. Sarabande
00:15:15 Cavatina: III. Scherzino
00:18:10 Cavatina: IV. Barcarole
00:21:10 Danza pomposa
00:24:01 Hommage à Chopin: I. Prélude
00:26:05 Hommage à Chopin: II. Nocturne
00:28:12 Hommage à Chopin: III. Valse Romantique
00:31:20 Suite in modo polonico: I. Entrée
00:33:18 Suite in modo polonico: II. Gaillarde
00:34:16 Suite in modo polonico: III. Kujawiak. Mazurka lente
00:36:35 Suite in modo polonico: IV. Tempo di polonaise
00:38:04 Suite in modo polonico: V. Kolysanka No. 2
00:40:04 Suite in modo polonico: VI. Oberek. Mazurka vive
00:42:09 Inventions: I. Passepied
00:44:05 Inventions: II. Sarabande
00:46:25 Inventions: III. Sicilienne
00:48:35 Inventions: IV. Toccata à deux voix
00:51:00 Inventions: V. Aria
00:54:17 Pièce en forme de passacaille
01:00:02 Deux chansons populaires: I. Andante
01:02:55 Deux chansons populaires: II. Allegretto
01:05:58 Sonatine: I. Modéré
01:10:01 Sonatine: II. Elegia
01:13:05 Sonatine: III. Vif
01:15:07 Sonatine: IV. Fughetta
01:17:17 Variations sur un theme de Scriabin
01:27:17 Prélude et interlude: I. Prélude
01:30:56 Prélude et interlude: II. Interlude
01:32:29 Pezzo in modo antico
01:37:09 Suite: I. Notturno Romantico
01:39:09 Suite: II. Alla Polacca
01:41:09 Suite: III. Canzonetta
01:43:15 Suite: IV. Invenzione
01:45:28 Suite: V. Berceuse d’Orient
01:48:09 Suite: VI. Segovia
01:50:30 Hommage à Lech Walesa
01:54:04 Pièces brèves: I. Valse-caprice
01:55:45 Pièces brèves: II. Dance populaire
01:56:50 Pièces brèves: III. Burlesque
01:58:47 Pièces brèves: IV. Berceuse-boîte à musique
02:00:24 Pièces brèves: V. Studio
02:01:23 Mazurka
02:06:52 Quattro tempi di mazurka: I. Moderato
02:10:10 Quattro tempi di mazurka: II. Rondò
02:11:51 Quattro tempi di mazurka: III. Allegro ma non troppo
02:14:17 Quattro tempi di mazurka: IV. Allegro giocoso
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