Vivaldi: Winter (the Four Seasons), 1st mvt. Cynthia Freivogel & Voices of Music 4K UHD RV 297

In this video

The complete concerto is now online 🙂 https://youtu.be/ZPdk5GaIDjo
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The first movement of Vivaldi’s Concerto for solo baroque violin and strings in F Minor, Winter (RV 297), performed by Cynthia Miller Freivogel and the Early Music ensemble Voices of Music. Vivaldi’s brilliant concerto is here presented in 4K, ultra high definition video, and performed on original instruments. For this video, a new edition was prepared from the original sources, prints and manuscripts for Vivaldi’s music.
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The Largo is now online:
https://www.youtube.com/watch?v=4cqhC_paryE

Voices of Music continues our groundbreaking work as a pioneer in the new field of Ultra-High definition video. Although the Four Seasons is the most recorded work in Classical music, this is the first time that the work is made freely available in this format, and performed on period instruments. Your donations will keep the presses running!

Voices of Music
Hanneke van Proosdij & David Tayler, directors
Maria Caswell, baroque viola, anonymous, Mittenwald, c1800
Cynthia Miller Freivogel, baroque violin by Johann Paul Schorn, Salzburg, Austria, 1715
Lisa Grodin, baroque violin by Paulo Antonio Testore, Larga di Milano, Italy, 1736
Katherine Heater, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments
Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754
Maxine Nemerovski, baroque violin by Joseph Gaffino, Paris, 1769
Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560
Hanneke van Proosdij, Italian single manual harpsichord by Johannes Klinkhamer, Amsterdam, 2000, after Cristofori, Florence, c1725
Elisabeth Reed, baroque cello, anonymous, 1673
David Tayler, archlute by Andreas von Holst, Munich, 2012
after Magno Tieffenbrucker, Venice, c1610
Tanya Tomkins, baroque cello, Lockey Hill, London, England, 1798
Gabrielle Wunsch, baroque violin by Lorenzo Carcassi, Florence, Italy, 1765

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